MRD: Where are you from? What's the music scene like there?
Scott: I'm from a relatively small city,
Frederick MD. I've seen from scrolling through Reverbnation that there is a
pretty genuine music scene here, but being that I've never spent a lot of time
going to bars or venues, most of it I’m completely unaware of. I've heard of
and know about some of them but I don't think Frederick has spawned anything
big in the last decade or so. Usually in this town when a band branches out of
the local bar/club scene they start playing in either Baltimore, or Washington
DC, which are pretty much the biggest cities from around where I live. But to
actually answer the question that could at least give some real insight is that
I used to frequent weekly open mic shows at really low scale bars in the
downtown section of Frederick, and always enjoyed the music but not the
atmosphere. Frederick is considered the hipster capital of Maryland, and
although the 'hipster' subculture is mostly about fashion, I think it bleeds
into their music as well. I wouldn't be able to identify it if I heard it but
when I used to go to open mics there wasn't a tremendous amount of talent, yet
there was always a small following of people aged 18-50 crowding the guy while
they sway back and forth with their eyes closed. That's all the experience I've
gotten so far. Other than that there are a lot of bands filled with older type guys who make old fashion rock' n' roll, and always draw a huge crowd singing
70s-80s hit songs.
When did you
realise your music was considered 'outsider'?
Well, due to the limited amount of
exposure I've gotten online, I've never really been able to come to a verdict
on what people think of my music and sometimes even what style it is. I have a
wide array of "outsider" bands that inspire me which leads me to try
not to be so mainstream sounding. With all the music out there as of currently
it's hard to imagine you'll invent your own style but that doesn't mean it
can't be done if you be yourself and try to have some sense of originality.
When I started having conversations with the few people who like my music was
when I realized we shared a lot of the same musical taste and would always
eventually discover music I've never heard that was very far from the limelight
and could definitely be considered "outsider".
What made you
pursue music? Why? and when did you start writing songs?
I've always wanted to
be a musician, but it wasn't until I started singing around age 16 that I
learned how absolutely fun it was. I've been playing guitar since my older
brother taught me when I was really young. It wasn't until I started getting
heavily into The Beatles that I started to take on the "musician"
persona. I've read over at least 15 books on them and always found it super inspiring
to read about their transition from touring/playing live to making the album
Sgt. Pepper in the studio and how they completely stopped playing live so they
could focus on the song writing aspect of their careers. I absolutely love
watching documentaries about bands being in the studio working on an entire
album and the creative focus that goes into it, alongside with having to work
with and compromise with your band mates. Something that definitely helped
guide me into becoming a musician was programs like audacity and FL studio. One
of my friends helped me get a free version of Fruity Loops and that was when
the idea became completely doable, because it's much like having an entire band
at your fingertips. Another benefit to it is that you don't have to go through
the struggle of finding other people to write with, and a backup band. Prior to
FL studio I NEVER would have written a song and got the courage to record it
and show it to anybody. I would occasionally mess around with verses and chorus
ideas I had but never with proper lyrics and would get embarrassed to present
the "ideas" to anybody, especially with my vocals, which aren't
considered (to me) to be something I'd consider I have strength in. I
eventually started to make orchestral sounding stuff on FL and would do it all
by ear and people wouldn't believe I made it and I'd feel a huge sense of
accomplishment and would listen to the songs over and over and each song began
so completed and unique because they were all different and spawned different (I
guess) emotions but still had a similar sound. I'd say that both my brother and
sister had a play in it, because we've always found great joy in sitting around
covering songs. Eventually I acquired this weird sort of confidence and it
wasn't long until I was able to play out and sing an entire original song to a
group of people without being ashamed but instead exhilarated. I could imagine
it's extremely difficult to write a song with friends or band mates because
everybody involved has these weird and cagey boundaries and a lot of the time
nobody has the courage to really lead the song in the right direction. The
opportunity to make computerised drums and all that turned me into a one man
band, and I had Stanley Kubrick styled control over EVERYTHING I did, and I
could do it alone which is great!
Tell me
about your experiences releasing music to a small audience?
I've experienced
all sorts of different reactions from different types of people. During the
time where my music would have been considered "lo-fi to its absolute
extremity" I got a lot of love and quite a lot of hate as well. The
positive responses would range from genuine to sympathetic, which I always
thought was funny when I could tell certain people were trying to give me a pep
talk and to explain to me why my song was "not that bad" but then I
got a few really encouraging responses that went into depth and in turn made me
realise a lot about my music that I otherwise wouldn't have recognised. One
thing for sure is that I don't think I get a lot of "return
customers" in the sense that when I see a YouTube comment or a soundcloud
heart it's always from a different person that's just persuing my music page.
That's one reason I find music to be kind of one of the hardest forms of
creativity to get out there as opposed to paintings and drawing and stuff. In
order to get people to want to hear more is to always try to raise the bar and
make the song as catchy and unique as you possibly can.
Your
favourite artists, and why?
I have about ten bands/musicians that I consider
some of my main inspirations, but I'll try my best to shave it down to about four.
1. Daniel Johnston, because I consider my discovery of him to be the turning
point in my life that I decided to evolve from someone who occasionally covers
songs to a real songwriter. I was instantly fascinated by his music and loved
the fact that he was punching out song after song in his teenage years, NEVER
gave up on it, and made his music so personalised. As soon as my old girlfriend
showed me his documentary when I was still a teenager it seemed so nostalgic
because at the age of 15 I was secretly and discreetly recording songs on my
own keyboard in front of a microphone at 2am using the quietest voice I could
possibly sing with. Never even showed them to anybody, and eventually lost all
of them in a disorganised mess of old computer folders. I still remember them
though. His never-ending struggle with bipolar mania also hits the nail on the
head because that sort of depression is something I've experienced since I was
about 18. It doesn't even come close to as bad as his was/is but I felt like I
was discovering this kid with a lot of similar characteristics. Another reason
he is so inspiring is because the raw emotion in his music is, in my opinion,
unmatched by any other artists alive OR dead. Lennon & McCartney are also
huge influences in my music. If it wasn't for them I wouldn't know how to write
a melody, or even harmonise. The fact that their music and personalities differ
so much from another helped guide the way my music sounds. I wouldn't be able
to tell you which of the two influences me more. I think I try to make my songs
have the Lennon edge and the McCartney cheer, only with my own angle and
personality to it. Upon first listen to just about any of my songs you can definitely
hear The Beatles influence in all of them. I've been trying to stay away from
doing so many harmonies and instruments because nobody wants to be told their
ripping off the most important band in music history, but after so many years
of listening to and studying The Beatles and having been such a fan of them
when I STARTED writing, I sometimes feel like it's a habit that won't be easy
to shake. At the same time I ask myself, "what happened to all the delicious
harmonies in music nowadays? Why would such a beautiful sounding thing become
so widely unpopular?" and I don't think I know the answer to it. I'm not
the greatest vocalist though, and I feel like harmonies come easy to me so I
use them frequently to overcompensate for my lack of a superb singing voice. I
read someone say recently that "ANYBODY can sing if they sing with
emotion" and it stuck with me right away, because I believe that's so
undeniably true that I can't even begin to try to explain why. It just is. And
although the Beatles were so extremely talented at just about everything I
still don't think that's why they wrote so many great songs. I think they just
had a lot of fun doing it and another thing of importance is that they never
settled for a certain style and proceeded to learn and try new things until
they eventually broke up.
What are you
trying to achieve when you release your music?
I've been asking myself this for
quite awhile. I've come to the conclusion that good music is supposed to make
people feel emotions that they otherwise wouldn't have felt without the music.
My favourite kind of music is the kind that somehow has the ability to make a
person feel terribly sad and terribly happy at the same time. Personally,
that's my favourite kind of music out there. I hope to succeed in making people
feel both of those two somehow at the same time. That's what I tell myself at
least. The longer it gets to where I can call myself a musician sometimes I
wonder if I’m writing these songs to and for myself though. But the thing is I
want it to be relatable and for the listeners to apply a certain song I make to
their own personal situation. For instance, a song like "Don't Think Twice
it's Alright" you get to hear Bob Dylan sing about a break-up of some
sort. That's a good example of a song people like to listen to while
reminiscing about a failed relationship, or a soon-to-be ended relationship.
It's Dylan's thoughts written in a pure unadulterated form that is terrifically
relatable. A lot of the songs I write, if you really listen to the message,
it's always a positive and motivating message (or I TRY to make it that way)
because I've always been a big fan of songs that are comforting and motivating
and have one simple message which is "keep trying, never give up, it's
GOING to be alright" because when I listen to songs like that I usually
end up crying depending on which mood I'm in. If my songs have the ability to
make someone choke up, then I feel like I've done my job, because sometimes it
can be incredibly hard to clean out all that emotional baggage without the use
of something external like music or drugs or other stuff. Music is like
therapy. As far as money or fame or all the other stuff that comes with being a
musician, I’m not honestly too sure about all that stuff. Creative people who
say they're not interested in those things are lying to themselves, because
what point is music without an audience? I've struggled with the whole
"getting an audience" part of the career since I started. But the few
people that revisit my music and check in on them mean the world to me because
then I know it's been heard both subconsciously and consciously and there's a
very good chance you might get one of my tunes stuck in your head because I do
try to make them as poppy and as catchy as I can. I made the conscious decision
long ago that I don't need wealth to continue the path of being a musician. If
I can work a job that pays the bills and continue sitting in my basement making
albums every few months, well, I know I'll be happy and content.
Have you
thought about playing live?
That's something
that I think about quite a lot but still haven't pursued at all, but eventually
I will. I need to build a little something called musical stamina because
hardly ever is it that I stand up with a guitar strapped to my chest and try to
sing a set list of my songs. Let's put it this way... If I were to be thrown
unexpectedly on stage at an open mic I would struggle. I'd struggle singing
full songs and focusing on the pauses that would allow me to catch my breath.
THAT'S really what I need to work on, because sometimes I go to my computer to
record and start manually making up a song out of thin air, and it's a long
drawn out process that doesn't include me having the stamina or charisma to
perform the song from start to finish. Sometimes I sing to my mom or a few of
my friends but have to get a grip on my nerves when I do it. It's certainly a
fun kind of nervous though. I used to imagine myself getting on stage without
anything planned out and just sort of see what happens and embrace the
discomfort of being stared at by tens of people, and be stone cold sober while
doing it. It's exciting to think about!
Where do you see your music in five years time?
Well, there's a big contrasting different in what I can hope for and what I think will actually happen. The reality of the situation is that if I don't start playing live I don't think I’ll ever get anywhere. Also, music to me has become an addiction and an obsession. I've only been writing for two years and I already have over 50 songs. Sometimes I remind myself of Sickboy's theory on life in the movie "Trainspotting" and try to apply it to my situation, and in that movie he goes on about how famous musicians "have it... and then they lose it" and tries to explain how most popular artists sadly but eventually turned into has-beens. I don't HONESTLY believe in that theory, but it doesn't hurt to try to write as many songs as you possibly can with the hopes that when it comes time to drop a real studio album you can knit pick which ones you and your audience consider being the best of the best. That may very well be the reason I have so many songs that all have a similar style. I hardly give myself a chance to stray from the norm and try new things because I've gotten to the point where I don't even have to make much of an effort to write a song. A problem with that, and a problem that I see in my music is that being that I don't have much of an audience, I can't really tell if any of its actually good. Hopefully in five years I'll already have met who I hope to be my "musical soul mate" which to me is considered someone who I can bounce off of, work well with, and collect inspiration from. I've always liked the idea of having a duo with a female musician. I write songs with my sister a lot, and she's about twice the musician I am but doesn't know it because she doesn't play an instrument or write songs. I hope to start up a project with her and a few friends I'm hoping to one day write with.
If you could
give any encouragement / advice to any artists in a similar situation; what
would it be?
This is a question I think I can really go into detail about. I would say the first piece of advice would to be too literally NEVER let criticism get to you to the point to where it has potential to stop you from doing what you love. People won't criticice you or judge you if they see that being creative/writing songs makes you happy or gives you any sort of fulfilment, and if they do? Then they're just trying to be a dick intentionally because their lives are sad and lacking and they've most likely got their head screwed on the wrong way for some odd reason or another. Another piece of advice is to just do it and not think too hard about it, and to just go with the flow until you've figured out your style and your favourite way to do things. Not everybody is going to be enthusiastic about your song writing, and if they are, don't take it personal. In fact, if you're just starting out and in the midst of the phase of where your friends are hearing your first couple of songs, expect that it's not going to be that way forever. People will get used to it and before you know it the people you thought were your fans/audience will tend to be less surprised that you're writing all these songs and won't say as much. Just keep at it though, and always think up new ways to get new listeners. It's hard because there really is no one way to do it, and you'll find out pretty quick that there aren't many successful ways at all to promote your own music. One more thing that I highly suggest you do is download simple software like audacity and try to mash out entire songs and make them as colourful as you possibly can. That way you can get a feel of separating the verse from the chorus and so on. My first year of recording music I didn't even have a microphone, just a laptop and a guitar, and making a drumbeat on the back of my guitar helped give the songs somewhat of a decent structure and can be a lot better of a method than trying to write an entire song without recording.
Words by Eddie Gibson, with thanks to Brandon Scott Robinson.
You can check out Brandon's music here.
This is a question I think I can really go into detail about. I would say the first piece of advice would to be too literally NEVER let criticism get to you to the point to where it has potential to stop you from doing what you love. People won't criticice you or judge you if they see that being creative/writing songs makes you happy or gives you any sort of fulfilment, and if they do? Then they're just trying to be a dick intentionally because their lives are sad and lacking and they've most likely got their head screwed on the wrong way for some odd reason or another. Another piece of advice is to just do it and not think too hard about it, and to just go with the flow until you've figured out your style and your favourite way to do things. Not everybody is going to be enthusiastic about your song writing, and if they are, don't take it personal. In fact, if you're just starting out and in the midst of the phase of where your friends are hearing your first couple of songs, expect that it's not going to be that way forever. People will get used to it and before you know it the people you thought were your fans/audience will tend to be less surprised that you're writing all these songs and won't say as much. Just keep at it though, and always think up new ways to get new listeners. It's hard because there really is no one way to do it, and you'll find out pretty quick that there aren't many successful ways at all to promote your own music. One more thing that I highly suggest you do is download simple software like audacity and try to mash out entire songs and make them as colourful as you possibly can. That way you can get a feel of separating the verse from the chorus and so on. My first year of recording music I didn't even have a microphone, just a laptop and a guitar, and making a drumbeat on the back of my guitar helped give the songs somewhat of a decent structure and can be a lot better of a method than trying to write an entire song without recording.
Words by Eddie Gibson, with thanks to Brandon Scott Robinson.
You can check out Brandon's music here.